Reviews
"Das Geht so unmittelbar an die Nieren wie Karin Lovelius grandiose Klagegesang am Grab des Sohnes"
Leipziger Volkzeitung, Peter Korfmacher
2011 Deutsches Miserere Oper Leipzig
"The unsentimental but important alto voice"
"Karin Lovelius enchanting alto"
FAZ and NMZ
2011 Deutsches Miserere, Oper Leipzig
"The most touching moments of the performance belongs to the two women, Karin Lovelius Mother with her warm and free flowing mezzo who alone seems to carry the idea of love and care before she too gives up."
Dagens Nyheter, Martin Nyström
2009/The Consul Folkoperan Stockholm
An extra exclamationmark also goes to Karin Lovelius for conjuring up a real person within the role.
Expressen, Lars Sjöberg
2010 La gazza ladra Läckö
Karin Lovelius dominates vocally as Frugola
Dalademokraten Jens Runnberg 2009
Il Tabarro Opera pa Skäret
Även Karin Lovelius Frugola och Bo Rosenkulls Talpa glider fint in i samspelet
Dagens Nyheter, Thomas Anderberg
2009 Il Tabarro Opera på Skäret
This is an outstanding voice and talent of the highest calibre.
Derek Barnes 2009 ( conductor and coach)
Nachdem die stimmlich sehr guten Biedermeier-Rheintöchter (KARIN INGEBÄCK, SUSANN VÉGH und KARIN LOVELIUS) für eine letzte farbenfrohe und parodistische Abwechslung im Heimkino gesorgt haben, zeigen Holm und Johansson mit bestechender Klarheit und Überzeugungskraft, dass es sich hier um das große Drama Wotans und Brünnhildes dreht
Der Neue Merker Ragnarrök 15e sep 2007
"The well known melodies from Bizets Carmen suited Karin Lovelius mezzo very well. She expressed the mixture of indolence and easy going with dark passion - the essence of Carmen's character. The voice carried forcefully also in the low register. An impressive and personal interpretation.
Corren, Linköping September 2006
